The Contemporary Dance Core .tcdc.

Triage: PART I

2008-06-04T18:11:00.006-05:00

The Triage trilogy began in 2005 with Triage: PART I. The piece expands on the ideas of the "scary body" in which prosthetic impediments are worn by the dancers to change the phrasing of the movement and movement vocabulary.

My interest was in ideas of a changed body or enforced change upon a body. In my research I referred to the classic films of The Cabinet of Dr. Caligari, Frankenstein, and Dr. Jekyll & Mr. Hyde.

For more information about this piece or series please contact me directly.

The Contemporary Dance Core (TCDC) .Introduction Video.

2008-06-04T12:44:00.002-05:00

This video is an introduction to the dance company and the projects we have been working on over the past two years.

More videos are on our youtube channel DanceCorporation:
http://www.youtube.com/user/DanceCorporation

Amorphosis (2003)

2008-05-07T16:51:00.003-05:00

This dance was the first of an investigation into the psychological and physical issues of control and loss of control through the physical prop augmentations. The dancer is trained extensively in his or her artistic faculty, the body. In Amorphosis and my thesis project the dancer will be working with extensions and prop-designed additions onto his or her known media. For the dancers’ these appendages cause an element of the unknown, and this layered on top of the given choreography causes innate physical and intellectual dilemmas creates an evocative new movement vocabulary that I have named the “scary body”, stunning visual imagery, and layered narrative.

Showing the props or impediments alone gives them a sense of autonomy, stillness in time, the sculptural element. I conceived of the project and the prosthetics were designed and constructed by commercial prop designer James Quilty.

The Weaving Series

2008-05-07T16:13:00.004-05:00

The Weaving Series are a number of choreographic works created in memory of visual artist, professor, gallery owner, and weaver Dennis Friend (1943-1976.) Mr. Friend died of Anthrax in January of 1976 from contaminated Pakistani wool used in his weaving. He was 32 and his daughter was six weeks old. Ms. Friend has currently finalized the third piece in the series; upon completion the entire Weaving Series will consist of 32 works in honor of Mr. Friends years. It is a life-long project where the possibility for new works continues to expand choreographically, philosophically, technologically, and the narrative is endless.

Sunshine & Dirt

2008-05-07T15:28:00.001-05:00

About...

Ashley A. Friend: The Contemporary Dance Core (TCDC) was established in January of 2006 under the artistic leadership of choreographer Ashley Friend. June of 2006 TCDC relocated to New York City from San Luis Obispo, California.

Inspired by America’s shifting soil, communications, and contemporary dance,
Sunshine & Dirt is a reflection of global socialization, collective Internet systems, and the effect of communication on the land. What is beneath the surface of this land? In California the earth shakes and in New York the subway voltage runs and in Texas the oil spouts slowly now and in the northern lands the soil is rich for new tree growth. This land is your land, this land is my land and it is beautiful. It constantly changes as the roads slice crevasses of communication into this new country. How far economically, emotionally, and environmentally will people go for communication?

This piece is largely motivated by interactive video Internet relationships. The users were contacted on the Website YouTube through the username AsertyDances and asked to submit videos giving their thoughts about dance; the video has had over 22,000 views and 40 submissions. Many of those very revealing and informative thoughts are shared throughout Sunshine & Dirt.

*What is the scary body? The scary body is a movement vocabulary that Friend began developing in 2003 while in graduate school at The Ohio State University in Columbus. It is a dance vocabulary that has been informed by architectural prosthetic sculptures that are placed on the dancers’ bodies and inform the way the movement phrases are executed. The extra prosthesis transforms the original movement phrases thus creating the scary body. This concept arose from Friend’s ongoing physical injury resulting from a car accident in 2001.

Original musical composition by David Morneau, lighting design by J Lillian Gray, and costume design by Amiti Perry. Danced by a company of five: Sarah Felice Evans, Ashley A. Friend, Erin Hopkins, Akemi Nishi, and Savina Theodorou.

“…arresting, her strongly tactile gestural movements governed by a sensitive
control of dynamics.” --Michael Smith, Santa Barbara News-Press

“…evolves by means that are alien, hesitant and always unexpected.”
--Jay Weitz, Columbus Alive, Top 10 of 2003

ID... March 9th at 92nd St Y!

2008-03-02T18:11:00.001-05:00

Ashley A. Friend: The Contemporary Dance Core (TCDC) will be performing the latest evening-length version of the newest piece entitled ID at the historic and celebrated 92nd St Y on Sunday, March 9th at 3pm.

This is such an exciting opportunity to show the new work. Each month the 92nd St Y features one choreographer or dance company. The environment of the 92nd St Y Sunday Afternoon Series is calm and offers a chance for audience response, plus coffee!

Description of ID:
ID is inspired by the relationship between decision-making and self-identification. It investigates health, impact, destruction and construction, and the connections concerning the body and brain. The piece is an exploration of the awkward body and includes a movement vocabulary Friend has titled the scary body; this dance expression was informed by the physical response to ergonomic architectural prosthetic impediments that were placed on the dancers bodies and challenged the way the original movement phrases were executed. These impediments augmented and distorted the already inventive movement and also create another layer of personality and personal intention as related to health and living with epilepsy. Friend has used vocabulary from this method within ID.

Friend has also explores the new concept of Negotiation, Opposition, and Decision (NOD) as she responds to questions within her choreography and movement improvisation with the definitive “Yes” or “No”. She negotiates what the next movement could be through opposition and then makes a decision on the spot. NOD splinters decision-making and the dancer must consider each movement and hold a political forum within the body; Negotiating and Opposing prior to making the irrevocable Decision to move. With NOD as the second basis and her icon of the scary body as the foundation for movement vocabulary construction Friend has plunged head first to confront her own id.

Because of the nature of a solo ID is particularly personal and especially refined with accuracy, precision, and depth to the subject. ID is a voyage of personal identification by means of decision-making both verbal and physical, through dance and storytelling. The piece is riddled with laughter, compulsion, and catharsis.

Thank you so much for your interest in dance, choreography, and art! If you are in the New York area please come to this event. Your presence, individuality, and bequeathed artistic interpretive views will be worshiped by me. Contact the 92nd St Y or myself if you have any questions about the performance or just want to start a ciber-logue.

*Please note that March 9 is daylight savings (spring forward)

All the Best,
Ashley A. Friend

Artistic Director,
The Contemporary Dance Core

website for The Contemporary Dance Core (TCDC)
http://www.dancecore.org/

New Logo!

2007-12-15T17:27:00.001-05:00

Sunshine & Dirt

2007-12-04T22:05:00.000-05:00

TCDC First Post: Dance will never die?

2007-11-25T15:51:00.000-05:00

Dance is a simple action that has happened before the human defined it and will last long after.
As long as time exists dance continues, things live and of-course die. And other things just crumble. That is the simple dance. What is the complex dance? The complicated dance is the one developed in your mind the one that involves personal action and interactions, the one of survival.
It is a bizarre choice of living, to choose art over all else. To choose art over church and state, art over health work or laundering. Then above art to choose the prehistoric art of dance. The art that exists without the human, the art in time, so here we are; time again.

Not every entry of TCDC will be so cerebral or poetic, but the first is.

In this moment I want to know any thoughts on time? Do you count when you dance? Why? Since everything is in motion and even stillness is a dance, what isn’t dance? What isn’t time?